static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

Getting out my Year in Review: 2022 late because maths. (Eventually, I gave in and used GSheets for some formula assistance.) Some miscellaneous stats:

  • My shortest podfic is "Gynger" at 56 seconds.
  • My longest podfic is "some fictions we took to mean fate" at 5 hours, 40 minutes, and 15 seconds.
  • The fandom with the most works is: Harry Potter.
  • Number of repods: 0.
  • Number of Meta works: 1.
  • Number of written works: 3.
  • The total amount of podfic length I put out in 2022 comes out to: 12 hours, 1 minute, and 2 seconds.
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
Unfortunately, this year is shaping up to be one of those "scraping my brain off the underside of a desk" types of autumn-to-winter changes. I managed to put on my Writer Hat and post a bit in that way, which isn't half bad, but I was not expecting to feel so 'eh' towards podfic. I'm hoping that finishing my already committed to [Redacted] Exchange podfics will break through this stage, and I'll just have to slog through to the other side of changing our clocks to feel a little better. A little more motivated, at least.

Read more... )
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
For Voiceteam 2022 Round 2 - Walkthrough Challenge: Create some kind of documentation of your podfic process. This might include photos, screenshots, text, video, a podcast interview, etc. You might include your recording setup and equipment, what steps you go through and why, and any tips or advice you have learned. You might also talk about how your process has changed over time and why!

Disclaimer: This absolutely is not intended to be a 'here is what everyone must do' guide, and I cannot guarantee that it will be of much help to anyone new to podfic. (The Podfic: A Resource Index website is helpful to check for getting started, in my opinion.) When I first opened up Audacity to mess around with practice editing, I read the long-term nuclear waste warning message off its Wikipedia page, and I tried to find 'set it and forget it' settings.

Step 1: Find a fanwork.

I don't record tumblr reblog chains or tweet threads, and I don't really go looking around on sites other than Archive Of Our Own (AO3). As a writer, I had already made the migration to AO3 before I looked into podficcing, and I find it easier to search for fic across multiple fandoms on this site. For some challenges like Out Of The Auditary, I specifically go looking for meta, nonfiction, and other works, but overall, I mostly browse AO3 for fanfic.

There's this whole thing with having permission from the author to podfic their work, which will affect what fanwork I choose. Depending on the fandom, some people are really good at tagging "Podfic Welcome" on their works, and some authors use that method instead of issuing a blanket yes to all podfic. There are also some fests that maintain lists of works from priors years of the fest that authors have agreed can be podficced. Some fandoms do not have a large list of authors with blanket permission to podfic (or BP), so it's inevitable that I have to leave a comment at some point and ask for permission, especially if I'm browsing specific tags or relationships for a challenge or fest. I came up with scripts that I can personalize as necessary for anonymous creators and requests for a fest. (Now, you might not be able to tell at this step that I use the 'Inspired By' function when posting to AO3, but personally, I find it annoying when an author tells me that I only have permission to podfic if I do something that I already do. So, that is prominently included in the script.)

For an anonymous creator:
<p>Hello, Anonymous Creator. I would like to create a podfic of this work. I use the 'inspired by' box to link the original work to the podfic, and I start my podfics with "[Title] by [username] . . . Read by . . ." to make it clear that it is not my own work being read.</p><p>If you do not want me to make a podfic of this work, please reply to this comment within the next # weeks. If you’re alright with a podfic being made, I’d still appreciate a reply, but I will treat a non-response by [## Month 2022] as permission to go ahead.</p>

For an event specific request:
<p>Hello. I would like to create a podfic of this work for a fest / for <a href="LINK" rel="nofollow">[Fest Name]</a>. (Depending on the fest rules: According to fest rules, I’m not supposed to publicly say what work I’m doing. If you would like to know the name of the fest and get a link to basic info about it, you can reach me via email (listed in bio).)</p><p>I use the 'inspired by' box to link the original work to the podfic, and I start my podfics with "[Title] by [username] . . . Read by . . ." to make it clear that it is not my own work being read.</p><p>If you do not want me to make a podfic of this work, please reply to this comment within the next # weeks. I will treat a non-response by [## Month 2022] as having permission to go ahead.</p>

[Note: Some people may not like the "no response equals go ahead" part. From one comment to another, I've rephrased that to 'no response meaning not going ahead' as well. Sometimes it depends on how long ago the fic was posted, if the author still seems to respond to comments, if they have any means of reaching out to them listed in their profile at all, and how far into the future I've set the deadline for a response compared to how long it would take me to record the podfic. I used to pick anywhere from four to eight weeks, depending on what other events I needed to focus on, so I've been lucky in that - so far - I've never had someone get beyond the deadline before responding.]

Some people want to stick with BP authors, and it can depend on what type of fandom event I'm trying to find a fic for as to how successful that goal is. For example, the turn around on recording and posting podfic during Voiceteam is fast enough that I tend to stick to BP authors. I use the Tampermonkey browser extension [in Firefox] to run the Blanket Permission Highlighter script, which turns usernames of BP authors green (instead of the usual red) and adds a check mark box to the search function in order to only show those usernames in search results. The filtering happens page by page of the search results, so sometimes, I just directly check out the Fandom Permission Statements List site, search for a fandom, and go down the list of authors to check their individual listings. (It's not really a separate resource, since the highlighting script pulls from the FPS List, but I find it to be faster for some fandoms with a lot of results and very few BP authors.)

A minor heads up for people who have to look at the profiles of authors in order to look for a transformative works statement: You will probably run into a lot of profiles without one. In some fandoms, you may run into a lot of entirely blank profiles. I have only once run into a creed about how the author didn't think podfic was a "real" transformative fanwork, thought that podficcing a work was "stealing" the real fannish content (that is, fanfiction), and they would never allow permission to podfic. That's not a majority opinion across all fandoms, but clearly, I can't guarantee that you will not find people that like at some point. If you use a workskin to filter out the usernames of creators that you want to avoid, you may want to filter out any such users that you run into.

Step 1-and-a-half. Decide on whether to read the fanwork ahead of time or cold read. )

[Note: I often search for fanworks at night when it's not ideal to record, so it makes sense to do this next step after I find a fic - probably still at night - but before recording the next day. Sometimes, I search during the day and do this step after recording but before editing. If I pick a fanfic that's short enough (like, 100 words or close to a drabble), I might do this while the audio files are being uploaded to a site that hosts audio. I'm more likely to do this AO3 draft prep before recording for unfamiliar fandoms, long oneshots, any fic that I've read where I know I need to do pronunciation research, multi-chapter works, and certain fest works where I'm working ahead of time.]

Step 2. Prepare the Google Doc with the AO3 draft information.

As someone who started out in fannish spaces as a writer, I'm used to having a template Google Doc that I copy and then I fill in the copied document's lines for title, archive warning, and all that other stuff that AO3 asks for when posting. Since there's a whole bunch of lines that are the same between fiction and podfic posting, I used a combination of my pre-existing template and Shmaylor's Podfic Posting Guide to create my podfic specific template. (My process of filling in my template involves having every Rating, Archive Warning, and Category listed out, so I can delete what isn't needed for the specific draft. I trust that anyone reading this will appreciate not going point by point when so much of that section copies from the fic's information.) This is the podfic specific section:

A long explanation of my AO3 Template. )

The work text section is where my template has a lot of options, since I need to account for the extremely rare cover art image being included, have a oneshot option, and a section for formatting multi-chapter works. I went through several how-to posts, I've watched people customize workskins in the Podfichat Discord server, and I just don't care to fiddle around with all that. (I do not make my own cover art. Currently, I have only included it once when someone already had it with their fic. I am the last person to ask if you want to know anything about that.)

Work Text (Oneshots) )

Work Text (Multi-Chapter) )

This is a lot to look at all in one place, but the good thing about drafting is that it's mostly deleting sections I don't need for the particular fic. Unless I'm doing a cold read and don't fill in tags or top notes until after editing, I can get most of it done ahead of time, which means I only need the links from Archive.org before I have exactly what I need to copy and paste into the text box while posting to AO3.

Optional: Step 2-and-a-half. Reformatting the text for ease of recording. )

Step 3. Get everything set up in order to record.

Not to be too glib, but I just get the laptop out with Audacity on it, lay on my bed, pull up the text on another laptop, and start reading.

Read more... )

Step 4. Record.

I allow for three to four seconds of background noise, in order to remove that later in editing. Then I talk.

Read more... )

Step 4. Editing with Audacity.

How did I pick Audacity? I used it for a few assignments in uni, and our Sound Design instructor heavily recommended it because we were 1. broke college students, and 2. overwhelmingly, not pursuing Sound Design as our area of focus. We never touched the Spectrogram mode or settings (there's, like, pink vertical stuff happening in that one), so I don't edit in that mode. I edit in Waveform mode, or the blue on grey stuff.

The process of editing looks like:

Editing Process )

Step 5. Exporting the files.

I export as a WAV file, and then I export as an MP3 file. One of the definite 'set it and forget it' bits is selecting "Constant Bit Rate", checking "Forced export to mono", and usually the compression rate. If I remember correctly, Archive.org will automatically compress WAV files to 128 kbps if you don't upload an MP3 file at the same time as the WAV, but most people do not want to deal with the resulting size of the MP3 files once you start recording anything with length to it. I think I set 96 kbps when I was working on a podfic with music and sound effects and just left it there - hence it being included in my template - until I needed to deal with my nearly 7 hour podfic.

I saved a note in my initial [private] Podfic Resources doc, but I didn't date it or explain why I was saving the note. I can only presume that this is why I readjusted to 64 kbps and have left it there:

Some opinions on kbps numbers will vary based on including sound effects; 32 kbps for just reading, 64 kbps for music and "non-integral" SFX (some also use 96 kbps here), or 128 kbps for "extensive and integral" SFX (some also use 96 kbps here).

Step 6. Upload the audio files to a site that hosts audio.

Read more... )

Step 7. Post to AO3.

If I've been nice to future me, I have already gotten the draft done before this step [if you remember Step 2]. It's a simple matter of going line by line, copy and pasting, on down while I go between the tab with the Google Doc and the tab with AO3 open. If I got the links from Archive.org in the template already, I can just copy and paste the whole section for the text section over. I hit preview so the notification for a 'Inspired By' work will get sent out, and then I post. (If someone has a specific note about needing to comment in their profile or that they don't trust the email notification to be sent, I'll still comment, but I slowly stopped doing in the summer or fall of 2021 when it seemed like a redundant step.)

Step 8. Cross-post to my tumblr sideblog and to this Dreamwidth.

Details on what I include in the text of the post and how I tag on tumblr and Dreamwidth. )

Step 9. I open up my "Year in Review: [Year]" Google Doc and add in the title name and final time. (Sometimes I have to also add in a fandom section for a new fandom.)

I've encountered a running gag that podficcers love Excel and spreadsheets. Personally, I don't really use them. I use Heading 3 for each fandom, I use Heading 4 for fic and meta, and I can alphabetize the titles as I go. I usually try to keep on top of adding up the times for each fandom as I go, but as long as I put a couple question marks in the fandom's total time to indicate that I need to update it, I also might just let the tallying go until I do an end of the year post. [The end of the year post for 2021 is here, and it includes a link to my "Year in Review: 2021" Google Doc if anyone's curious as to how I live without using spreadsheets. Maybe if I ever do a lot of podfic on one year, I'll consider a spreadsheet....]

Step 10. I update my "To Podfic" Google Doc.

When I first started podficcing, I would put out monthly to-do lists for myself (here's a horrifically ambitious example), and I'd keep track of them, any fic I hadn't gotten to, and what I needed to do for fests in the Google Doc. I keep my asking for permission to podfic scripts in there, and I also have a section at the bottom for keeping track of my Podfic Bingo board (this was the space I was screenshotting for tumblr updates and the AO3 subcollection). Since I shifted to podficcing more for fandom events than just working down a randomly curated list, I mostly keep track of when I need to submit works by.

Read more... )

Optional: Step 11. Share a link my AO3 posting in a Discord server channel.

I hardly ever remember to do this in Podfichat or Voiceteam channels. It's sort of a new and not always applicable step that I have not done for most of my time podficcing, so I just don't remember to do it most of the time.

Read more... )

 

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
A brief look back on taking part in my first Podfic Bingo with some thoughts on what to do next year. Quote-Unquote year, really. Sign-ups should open up this spring.

Read more... )
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
Getting out my Year in Review: 2021 on 1 January 2022 because maths. Some miscellaneous stats:
  • My shortest contribution as a co-creator is 27 seconds.
  • My shortest podfic is the repod of "Sweet Cream" at 1 minute and 33 seconds.
  • My longest podfic is "Come Undone" at 6 hours, 54 minutes, and 13 seconds.
  • The fandom with the most works is: Prodigal Son.
  • Number of repods: 2.
  • Number of Meta works: 5.
  • The total amount of podfic length I put out in 2021 comes out to: 27 hours, 29 minutes, and 46 seconds.

To Podfic

Jun. 14th, 2021 08:00 pm
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
To Podfic in June 2021:

I need to earn a cheat for Podfic Bingo, so I need to do five squares for the X Shape Challenge.

Free Space - “a brief history of motion sickness” by eachtoeach. Prodigal Son; Malcolm Bright & JT Tarmel.

Gossip - Original fic switched out for a shorter fic with blanket permission. “Through the Grapevine” by Drarrelie. Harry Potter; a drinking game in Eighth Year suggests that Draco fancies a Gryffindor (pre-slash or secret crush Draco/Harry).

Crossover/Fusion - I have permission for “Understood” by Lucigoosey_The_Lightbringer. Prodigal Son and Dexter crossover; Malcolm Bright & Dexter.

Femslash - "Time After Time" by bluefay. Harry Potter; a developing Luna/Ginny fic. Since HP Drizzle Fest isn’t happening this year, and I got permission thinking I’d do it for that, I want to still podfic this.

Het - “Who would you trust with your darkest side?” by Melime. Prodigal Son; a crush slash developing relationship between Malcolm Bright and Edrisa Tanaka while they dispose of Nicholas Endicott’s body.
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
I hit a bit of a wall in terms of getting some works for challenges down in the last half of Voiceteam 2021. I’m hoping to get them finished and posted later, even though they no longer count towards the event.

- Pillar To Post-Production: I started writing an Omegaverse fic for Prodigal Son. I need to finish the fic and podfic it.

- What Comes Next: In theory, I could write (and podfic) a sequel to that Omegaverse fic.

- Pitch’n’Pod: I’m waiting for my multi-voice partner to feel better. I’d really rather not post it without them getting a chance to do their dialogue, you know? However, I did accidentally pitch Prodigal Son to a team member, so that wasn’t half bad.

I also haven’t shared the badges I got because I was a little too confident that I’d get these done in time, so I technically haven’t earned the one badge yet.
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
Voiceteam 2021 Round 2: Commentary Challenge. Write or record new commentary on a fanwork of yours created before this week. This should be at minimum 7 min or 1K written words. You might talk about why the project is meaningful to you, what your thought process was in making it, what it taught you, reflections on what you might do differently now, etc.

As soon as I came across Cornerofmadness’ The Ties That Bind series, I knew that I was going to podfic it. (Cornerofmadness has blanket permission to podfic, for those who may be worried about that.) Each part is supposed to roughly stand alone within this alternate universe where Malcolm’s voice box was damaged around ten due to [a slightly canon divergent moment], which leads to different amounts of raspiness ascribed to Malcolm’s voice and varying degrees of pain and resulting use of Alternative and Augmentative Communication (AAC) methods. The series listing provides more information (and reveals the traumatic event Malcolm went through): [Podfic] The Ties That Bind. Since I’m writing about a series, it will also be the place where I link this post instead of one fic.

Not really being ‘in’ a podficcer community at the time that I was recording and editing this series [April 2021] meant that I had no prior exposure to discussions about the inclusion of screen reader voices in podfic in any capacity. Trying to mess around with Effects on my voice for an artificial voice when I also needed to differentiate the phrases in sign language from the usual narration and Malcolm’s raspy voice seemed weirdly stubborn that I try to ‘voice’ everything. After I finished the series, I was a bit surprised when I came across an old discussion about using screen reader audio in the podfichat Discord server where some people disliked that, but I imagine that the situation in this series isn’t typical for the discussion because Malcolm uses text-to-speech when talking is too painful, so using screen reader audio is quite literally supported by the text (Bound to Loneliness, Bound for Normalcy). Outside of that, it seemed like a relatively easy way to achieve an artificial voice, so I didn’t hesitate at the time.

Figuring out how to use a screen reader’s audio was also a nice little challenge at the time, in terms of my recording and editing skills. Except for including a song snippet in one fic when it was required, The Ties That Bind series was really the first time that I messed around with adding sound effects to a podfic, specifically whiteboard marker scribbling tracks for Bound to Possibility. (It’s set a few months after Malcolm is injured, so he uses a whiteboard before a text-to-speech program.) It seems like a relatively small detail, but hunting down marker scribbling kept a little bit of fun in the editing process. I was in the midst of cold reading a 65.9K multi-chapter at the time I was recording The Ties That Bind, so I had zero intentions of reading this series cold; I knew that I was going to have to change up my usual recording and editing processes in order to ultimately differentiate the voices (narration, raspy voice, and sign language). However, I wasn’t expecting certain emotional responses from reading the text itself out loud.

On the one hand, it makes sense that Malcolm doesn’t like his voice. He went through a traumatic event, and the resulting scar on his throat and his raspy voice are lifelong reminders of everything involved with that event. He has a clear before and after in terms of his voice (and experiencing pain if he talks too long). On the other hand, I was projecting onto Malcolm, and it felt strange to run into all these little reminders that he didn’t like his raspy voice. Personal opinions about my voice have ranged from dislike to hate based on vocal gender dysphoria, but I’ve never really disliked that it’s got a fraction of the raspiness ascribed to Malcolm in this fic. Granted, I didn’t go through Malcolm’s traumatic event, so I don’t have a before and after or pain influencing how I feel. It’s just, y’know, the voice I’ve had my whole life. It is what it is.

I got comments from substitute teachers about whether I had a cold. I usually got reminders to project and be louder instead of directly asking about my voice. Except, of course, for the one secretary who politely asked if she could ask a question about my voice because she had never encountered someone who had that degree of hoarseness without some sort of painful event happening first. In the course of day-to-day living, my vocal quality isn’t a constant, horrible thing that I have to fight against. It almost felt strange to read Malcolm’s perspective out loud because his ‘new’ voice remained a bit new to him. I feel I should clarify that I didn’t really have a negative response to this. It’s not that I think Malcolm should like his voice within this premise, or anything. It’s more that I felt the edges where I didn’t line up with the character. Case in point, while Malcolm is written as using the label ‘disabled’, I’ve never done so, and that, in part, influenced my usage of ‘non-normate voices’ instead of ‘disabled voices’ in “Thoughts on Audio Social Media & Podfic”.

I have acquired subglottic stenosis. Due to prolonged intubation as an infant in the NICU [neonatal intensive care unit], I have scar buildup and a resultant narrowing in (more or less) the bit of your airway below the vocal cords but before you’re actually in the trachea proper. That’s the easiest explanation for non-medical folks, at any rate. Since I was an infant (and everything was all small and close together), it’s also possible that the breathing tube affected my vocal cords a bit as well. As far as I’m aware, I never underwent any surgical corrections, and I did not need to have a tracheostomy tube inserted, which are usually for more severe cases. I occasionally have some stridor [high pitched whistling noise when breathing], and my voice is described as hoarse, a whisper, or ‘distinctive’ by others.

This was the first series I’ve come across where I didn’t need to leave at least an oscillating fan on in my room while recording to clean up my voice after I run Noise Reduction. I’m aware this runs counter to what’s commonly suggested to new podficcers, but that’s how I worked out my basic narration ‘podfic voice’ that’s, as far as early commenters considered, relatively pleasant sounding. My voice - as is - made it somewhat easier to do Malcolm’s raspy voice, and I actually needed to have as little background noise while recording as possible to get a usable raspy voice track. In terms of editing, I did a separate Noise Reduction, Normalization, and Change Pitch. Since I was already set up for the raspy voice recording, I used the same approach for the phrases that were sign language, but I then went to do my normal editing process (Noise Reduction, Normalization, Equalization (Bass Boost), Low Pass Filter, and Change Pitch).

In trying to look up tips for doing his immediate aftermath voice with the strongest rasp, I found advice for having a raspy voice that ranged from not supporting your breath to dubiously reproducible methods like smoking or yelling. I’m not sure what people with normate voices do, but I could adequately get a stronger rasp by not supporting my breath. Which meant I didn’t breathe immediately before starting those lines of dialogue, and the staccato bit in Bound to Possibility utilized a harsh exhale. (It’s similar to using a peak flow meter except you don’t breathe as deeply as you can beforehand; you want one quick, hard exhale.) For two and a half words that Malcolm had to work to vocalize, it did work. It’s a bit too much like gasping to try to use with full sentences, though, so I let whatever rasp made it through editing while talking normally suffice in other parts (noted for Bound for Normalcy).

Overall, it was interesting recording and editing for The Ties That Bind series, and the only reason that I even made note of anything that I did is that the series is marked incomplete, so I had wanted to make sure I could repeat the process for any future parts. (I made sure that I met the word count before repeating anything from prior notes, but honestly, there’s only so many ways to explain acquired subglottic stenosis over a lifetime.) Back in late February and early March [2021], I did initial recording and editing experiments to figure out how to get a podfic voice that didn’t actually sound like me, and then I tried to not think about it. This series made me really have to face that if I followed common starting advice, my podfic voice would likely be what the sign language portions sound like. If I really pared down on the editing, I would have the raspy voice that Malcolm’s vocal portions get, even if it’s not truly as raspy as his voice is described in the text (“Yep, raspy as if he’d been chain smoking and stealing Gil’s bourbon”).

And yet, clearly, I didn’t try going that route when I first started to make podfic. I’ve been resistant to connecting my fannish online identity with my offline identity, and I didn’t particularly want my podfic identity to get connected to either one. I highly doubt that I’d post raw audio, but even if I did minor editing to slow down vocal recognition, I never thought that I’d purposefully share audio where I sounded like, well, me. It’s not like I’ve had a formative moment where someone has told me to fix my voice that’s keeping me back, or I’ve run into a post discouraging those with certain voices or vocal qualities from taking part in podfic. I’m sure the warning in my ao3 profile seems like overkill for some listeners when my podfic voice has been edited to sound just fine.

There’s still something about not using the usual recording and editing process that seems like I’m somehow putting out a lower quality podfic as a result. In theory, it would be interesting to see if there’s a change from any listeners if I switched to leaving my voice sound raspy, but I’ll be honest - it’s going to be at least 80 F or 26.6 C in the upcoming days. It’s the unofficial start of summer where I live, and the idea of turning off air conditioning for this is probably not going to happen. (I mentioned to my teammates that I didn’t really have a choice about an A/C unit being installed in my window at the beginning of Voiceteam, so it’s already bad enough that I have a different level of background noise to adjust to.) Maybe this autumn or winter after the A/C unit comes out, I can give a raspy voice experiment a shot.

Word count: 1,793 words.
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

A 1 May 2021 look back on April’s To Podfic list:

I started out really ambitious, so I should probably scale back future to podfic lists a smidge. Short fic that didn’t require extra editing did go up daily easily enough, but once I needed to do extra editing, things just coasted to a stop, and I built up a backlog of tracks that needed editing. I also did not take into account the time needed to upload files to Archive.org, especially as I started uploading longer chapters (and therefore larger files).

I didn’t get to three of the multi-chapter works on the list:

  1. “Hanging by a Moment” by cat_77 - 8,283 words; 6 chapters (55 minutes to 1 hour, 9 minutes).
  2. “They Linger”  - 7,290 words; 2 chapters (48 minutes to 1 hour).
  3. “Of Angels and Shining Armor” by cat_77 - 40,081 words; 3 chapters (4 hours, 27 minutes to 5 hours, 34 minutes).

I’m still figuring out what might be happening in May, so I’m not sure if I’ll get to them this month or possibly in June.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

Originally written 30 April 2021 in Notepad (while my internet was slow due to uploading a file to Archive.org): Something that might help future me when it comes to creating an M4B file.

So, when you're exporting as an MP3, you get to choose from a whole list of different kbps compression values, which affects the final file size that someone will download. If you let Archive.org compress an uploaded WAV, it uses 128 kbps, which is often held to be too high for podfic beyond a few minutes, so I usually export my own MP3 file to upload to Archive.org at 96 kbps. Of note, I also haven't uploaded anything longer than about 55 minutes before (and I usually don't have SFX to worry about).

I have no idea how often I'll do fic of the length as "Come Undone", but 96 kbps is a smidge too high when trying to work with the entire work. I know it's nearly 7 hours, and there's only so much compression I can do, but I used 64 kbps for the MP3 files used to make the M4B in AudioBook Converter (uploaded to Google Drive for downloading purposes on my Windows laptop). For future fic, I may want to keep that in mind as I go, so I don't have to re-export and re-download at the end.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

24 April 2021: I’m close to finishing the editing on The Ties That Bind Part 5, and I’m making a note for whenever the series gets updated with another part. (In case it’s far enough into the future that I wind up wondering how I managed to do certain editing steps.)

For Part 5, I went back to just reading normally with the fans off and less editing for the Raspy Voice. (I did not do what I tried in another fic in the series where I changed my reading in order to get a bit more of a rasp in the final product. It involves not fully supporting my voice with breath, which adds a bit more to the re-recording process. So I just skipped it this time.)

Again, like with another TTS [text to speech] section in the series, I just recorded the Windows laptop’s screen reader [Narrator; default voice]. Note to future self: Sometimes, you have to do another pass at Noise Reduction. This track did better when I Normalized it first and then got all the Noise Reduction out of the way? I also needed a little extra Amplify.

For the italicized sentences indicating sign language, I didn’t want to have to mess around with effects. I was already set up for the Raspy Voice, so I just did the full, normal editing process starting with a raw file without fans. (It’s kind of weird to think that if I followed common podficcing 101 advice that this would be the actual podfic voice listeners associate with me... But I’m also going to side-eye the fuck out of the other laptop if I actually wind up sounding raspier at the end of editing this track.)

We’ll have to see what it’s like after I get everything into the main project and start piecing things together. Honestly, I’m probably not re-re-recording, and if I have to, I’ll just make a note that the editing for the signed sentences unintentionally wound up sounding raspier than the spoken dialogue. The dialogue tags already describe Malcolm’s voice as raspy.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

13 April 2021

A note to self: While cold reading the rest of a multi-chapter fic isn’t horrible, I should maybe get a chapter by chapter word count for planning purposes at the beginning.

I am - yet again - behind on uploading Come Undone chapters and anything else because some of these ending chapters are long. Like, the raw file for this one chapter got over 50 minutes, and while editing out mistakes and long silences will take that down, it’s also about the limit of what I can reasonably record in one day.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

10 April 2021: Part of the thing with The Ties That Bind is that Malcolm’s voice box has been damaged, and he talks with a “raspy whisper” when not using Augmentative and Alternative Communication (AAC). This runs counter to my usual editing process, so I’m trying to put down some notes, in the hopes that I’ll remember this.

So, first, I think I put in my ao3 profile but haven’t bothered mentioning this here before, but I have acquired subglottic stenosis. Due to prolonged intubation as an infant in the NICU [neonatal intensive care unit], I have scar buildup and a resultant narrowing in (more or less) the bit of your airway below the vocal cords but before you’re actually in the trachea proper. Since I was an infant (and everything was all small and close together), it’s also possible that the breathing tube affected my vocal cords a bit as well.

Some medical people will recognize where the subglottic airway is and know what the cricoid is, but that’s pretty much what I’ve understood and told others when necessary. As far as I’m aware, I never underwent any surgical corrections, and I did not need to have a tracheostomy tube inserted, which are usually for more severe cases. I occasionally have some stridor [high pitched whistling noise when breathing], and my voice is described as hoarse, a whisper, or ‘distinctive’ by others.

My uploaded podfics go through a fair bit of editing, including cutting out breathing when I can. I leave my fans running in my room, so that the Noise Reduction will also have more of an effect on the spoken parts. Then Normalization, Equalization (Bass Boost), Low Pass Filter, and Change Pitch as described elsewhere. However, for the purposes of doing Malcolm’s voice in “Bound to Possibility”, I didn’t really do as much. I turned off the fans, generated silence between words, and ultimately did a separate Noise Reduction (with less of an effect on the spoken parts). I normalized to match the rest of the podfic, and I still did the usual Change Pitch, but I didn’t do anything else.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

7 April 2021: How trying to add song lyrics went. (The final result isn’t a very long podfic, but the process of figuring this out added, um, a non-zero amount of time to the editing process.)

Step 1. Cross my fingers and try to just record the YT video.

Step 2. DuckDuckGo variations on how to record YT audio that’s actually usable.

Step 3. DuckDuckGo variations on how to convert the YT video into just the audio I need (because this shouldn’t be this hard, and I probably could’ve just read the lyrics and gotten this over and done with forever ago).

Step 4. Trust a WikiHow article that recommends putting the YT link on a MP3 converter site and downloading the resulting MP3.

Step 5. Successfully don’t have any pop-ups or weird things happen. Import the MP3 file into the Audacity project.

Step 5.1 - Fiddle around with trying to get the Zoom to do what I want because the default zoom levels have been shifted, and there’s no way I’m making the edits I need while being able to see ten minutes on the screen at a time.

Step 5.2 - Make a Cut of some excess silence and realize that my Label track has not been locked to my main track, so the labels for where the song lyrics are supposed to go have shifted.

Step 5.3 - Fiddle around with the volume levels so the lyrics don’t sound like I’m trying to deafen the listener in the midst of the story.

Step 5.4 - Fiddle around with Fade In and Fade Out. Completely redo one snippet of lyrics because that was way too much intro. Second guess myself.

Step 6. Decide that I really want to be done with this, and we’re going to have to see if this is fine the way it is.

To Podfic

Apr. 1st, 2021 08:00 pm
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

To Podfic in April 2021:

[The goal is to do one chapter of a multi-chapter work in addition to a shorter oneshot per day for the first fic. All fics not otherwise specified as being by cat_77 are by Cornerofmadness.]

Come Undone” by Cornerofmadness - 65,976 words; 14 chapters (7 hours, 19 minutes to 9 hours, 9 minutes).

  1. “Fan Club” by cat_77 - 7,575 words (50 minutes to 1 hour, 3 minutes).
  2. “One-Handed” by cat_77 - 3,462 words (23 to 28 minutes).
  3. Regrets Are Like Ghosts” by Cornerofmadness - 5,144 words (34 to 42 minutes).
  4. Chasing Oblivion” - 4,349 words (28 to 36 minutes).
  5. Gotham by Ghost Light” - 2,976 words (19 to 24 minutes).
  6. Power Relinquished” - 2,804 words (18 to 23 minutes).
  7. 2 A.M. Aftermath” - 2,533 words (16 to 21 minutes).
  8. The Ties That Bind, Part 1: “Bound by Fate” - 2,498 words (16 to 20 minutes).
  9. The Ties That Bind, Part 2: “Bound to Possibility” - 4,116 words (27 to 34 minutes).
  10. The Ties That Bind, Part 3: “Bound to Loneliness” - 2,124 words (14 to 17 minutes).
  11. The Ties That Bind, Part 4: “Bound for New Paths” - 1,588 words (10 to 13 minutes).
  12. The Ties That Bind, Part 5: “Bound for Normalcy” - 1,699 words (11 to 14 minutes).
  13. By Any Other Name” - 1,955 words (13 to 16 minutes).
  14. Danse de Caractère” - 1,082 words (7 to 9 minutes).
  15. Day 15: Upload the Entire Work files. Post “Come Undone” to ao3.

[The goal for the second half of April is to get through four multi-chapter works without oneshots being factored in.]

“Hanging by a Moment” by cat_77 - 8,283 words; 6 chapters (55 minutes to 1 hour, 9 minutes).

  1. Price of Grief, Part 1: “Three Can Keep a Secret” by Cornerofmadness - 4,004 words; 3 chapters (26 to 33 minutes). [Ch 1]
  2. “ “ Ch 2.
  3. “ “ Ch 3. Upload Entire Work files. Post work to ao3.
  4. Price of Grief, Part 2: “Letting Go” - 4,670 words (31 to 38 minutes).
  5. They Linger”  - 7,290 words; 2 chapters (48 minutes to 1 hour). [Ch 1]
  6. “ “ Ch 2. Upload Entire Work files. Post work to ao3.
  7. Day 7: Upload Entire Work files. Post “Hanging by a Moment” to ao3.

“Of Angels and Shining Armor” by cat_77 - 40,081 words; 3 chapters (4 hours, 27 minutes to 5 hours, 34 minutes).

  • I’m not sure if I’ll be able to do one chapter, let alone other fics in addition to this work, per day. Estimate 2 days per chapter, and the Entire Work files can be uploaded on Day 7 (also post work to ao3).
static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

27 March 2021: Just some fiddly, behind the scenes notes.

Instead of uploading a WAV file to Archive.org and letting it compress a 128 kbps MP3 file, I could’ve just uploaded the smaller kbps MP3 file exported from Audacity for the purposes of having a backup file on Google Drive to Archive.org.

This means I can link to a smaller file to download - which will be important as I read longer works - and I can free up space on the Google Drive account. I’m in no danger of reaching the 15 GB limit right now, but for example, I could choose to host files for fests, challenges, etc. and anything over a certain time limit instead of trying to host everything.

(I’m looking at someone with blanket permission to podfic in a particular fandom with over 100 works. So, eventually, smaller works are going to add up in terms of storage space. I’ve tagged #prep because I may need a reminder for future me to take into account the longer upload time to Archive.org.)

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
I don’t expect this to be terribly interesting, but in the interest of keeping track of this podficcing process, I think I’m going to try AudioBookConverter to make M4B files out of MP3 files.

It’s for Windows, so the process will be 1) upload MP3 file from Audacity to Archive.org [which is already done on the Linux laptop], 2) download Archive.org MP3 file on the Windows laptop, and 3) use this program to get the M4B (without needing additional programs).

An Auralphonic episode mentioned Chapter and Verse, but I’m not aware of that being updated since sometime when I was in undergrad (2012 to 2016), so I went looking to see if anything else had been updated a little more recently than that. (It also involves downloading other programs, like iTunes, in order to work.) I think Audiobook Binder came up in being a recommended alternative, but it involves money. (I also wish these different programs didn’t all sound so alike in names.) As far as I can tell, AudioBookConverter doesn’t involve iTunes and doing an MP3 to AAC conversion first, so I should be able to directly convert the existing MP3 files into an M4B.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

A conglomerate of editing notes (originally from 3 March to 8 March 2021).

  • Basic: 1) Noise Reduction, and 2) Normalize (to -3.00 dB).
  • Equalization >> Bass Boost (default settings).
  • Low Pass Filter (2,500; 6 dB).
  • Change Pitch (-0.50).
It’s possible I might force myself to acclimate to my voice just because I can’t stand trying to relisten, yet again, for editing purposes.

I survived a higher Low-Pass Filter setting (2,500; 6 dB) and a lower Change Pitch amount (-0.50) on this last podfic [Run To You]. I haven’t made up my mind just where I want the final Change Pitch amount to be from one podfic to another, and from recording to another, it seems like I’m all over the place on where the unedited pitch is. (I knew that going in, but it’s one thing to know it on an intellectual level, and it’s another to be staring at an Audacity project and trying to figure out why I seem to pitch down into an almost monotone if I’m trying to re-record a flubbed bit.)

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

Behind The Pod - Series (or Season) 1, Episode 5: Kess. Dated: December 2019.

Summary: Talking about disability and podfic, the podfic community, and podfic as art.

Their experience with CFS [Chronic Fatigue Syndrome] and being able to listen to fic that they could no longer read through the exhaustion and pain. They made a lot of beginner ‘Eh’ podfic and found community. The performance art bit came after talking about listening to Text-to-Speech versions of fic with no emotion. Overall, not what I was expecting from the basic description.

Clarification: There’s nothing wrong with a personal perspective. Based on the description and starting with series or season 2 episodes with multiple people taking part in each episode, I just wasn’t expecting one person’s perspective. While I’ve seen podfic presented as a beneficial accessibility feature for visual text based fic, some podficcers who view podficcing as performance art seem to make stylistic choices that don’t necessarily align with accessibility being the main feature of this type of fanwork.

In a prior Auralphonic episode that touched on the history of a “No Music Included” attitude, there seemed to be a quick jump to people being okay with additional sound tracks and effects once editing skills improved, but that comes across like hearing listeners made that switch. I mean, listeners with auditory processing issues and hard of hearing listeners didn’t just fade away, and to me, the original accessibility question is still there.

Some reading advice has come across like it’s assumed that listeners who want the full text can just go read the fanfic, so info like indicating to and from fields in emails is optional. From the perspective of someone who has done volunteer image descriptions here on tumblr, that seems presumptive about what the audience will find important. I’m not saying it’s wrong to make that choice as a podficcer, but I wouldn’t say that’s keeping accessibility and potential listeners who are blind or visually impaired in mind.

I’ve run into quite a bit of encouragement for nervous beginners about not letting an accent or reading in a non-native/fluent language get in the way of trying to make podfic, so I also thought there might be a mention of podficcers who don’t have a normate voice.

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)

Behind The Pod - Series (or Season) 2, Episode 4: Podficcing on the Periphery. Dated: August 2020.

Summary: Creating podfic in a fandom or part of fandom where podfic is a relative unknown. Discussion points: what to do when no one even thinks about blanket permission, what it's like creating most of the content yourself, and how isolating and discouraging it can be.

AO3 user ~peasina created Pioneer Podfic, a collection for being the first podfic in a fandom.

Profile

static_whisper: An AO3 symbol on a white background edited to have colors from the nonbinary flag colors - purple, yellow, and black. (Default)
Static Whisper

April 2024

S M T W T F S
  123456
78910111213
14151617181920
21222324252627
282930    

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Aug. 3rd, 2025 06:10 pm
Powered by Dreamwidth Studios